As we walked toward the station the
stranger stopped often to observe types which interested him. He did it with an unconscious calm insolence
as if the people were bugs. Once a bug threatened
to beat him. “What ‘cher lookin' at?” he
asked of him. “My friend, said the
stranger, “if any one displays real interest in you in this world, you should take
it as an occasion for serious study and reflection. You should be supremely amazed to find that a
man can be interested in anybody but himself!”
That’s Stephen Crane in “Coney Island’s Failing Days,”
included in the Library of America’s collection under the section heading of “New
York City, 1892-94.” The quotation there
could stand in for a summary of the whole section. One imagines Crane wandering through the town
for three years simply observing and writing down what he sees. We get portraits of the lowest of the low and
the wealthiest. We get snapshots of odd moments in the life of the city. All done with Crane’s eye for the telling detail.
Is such observation enough?
Crane certainly observes more than most.
Is he right that the objects of notice should be grateful for the simple
fact of being noticed?
Consider: “When Man Falls, a Crowd Gathers.” In this brief sketch a man walking along with
his boy falls to the ground, insensible.
A crowd gathers. (The alert and
perceptive reader can see from whence the title of this piece comes.) Five pages later, an ambulance has carried
the man off. And what have we
learned?
Curiously, Crane’s story is much like watching the evening news. Man falls.
CNN reports on it. Next
story. Sometimes we continue to stare
after the ambulance as it leaves the scene.
“It was as if they had been cheated.
Their eyes expressed discontent at this curtain which had been rung down
in the midst of the drama. And this
impenetrable fabric suddenly intervening between a suffering creature and their
curiosity, seemed to appear to them as an injustice.”
I finished reading this set of pieces by Crane a few weeks
back, and I am still troubled by it all.
This morning, I was rereading Evangelii
Gaudium, Francis’ first encyclical from last November. In this much misunderstood encyclical,
Francis is desperately trying to convince the Church, Christians everywhere,
and indeed the whole world, that we need to pay more attention to the poor, the
disenfranchised, the weak, the lowly.
And surely he is right. But,
Francis is missing the bigger point being made by Crane: do we pay sufficient attention to the
not-so-poor and not-so-weak? Indeed, do
we pay sufficient attention to anyone, anyone at all?
Man falls. Not just
the poor man, but the rich man too. Perhaps
the crowd surrounding the rich man is bigger than that surrounding the poor
man, but is that enough? Shouldn’t we
also help the poor man out a bit? Obviously. But, what about the rich man? Should we say that since he has wealth, it is
enough to gather around when he falls?
We don’t notice people as people. We notice that they fall, and we gather when
they do, but who are these nameless people?
Who was that student I just saw walk past my office? Shouldn’t I care?
Crane offers no solution; this is voyeurism, pure and simple. I am not sure what to make of it. I read about people in the depths of a coal mine
in the late 19th century and I think…I have no idea what I
think. I read about gawkers gathered around
a fire and I think, “Here I am gawking at the gawkers. I am being exactly as
helpful as they are.”
"Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity."
ReplyDelete-George Eliot, Middlemarch, Chapter 20 (one of the most stunning chapters in the novel, I think!)